1. 威廉·亚历山大(William Alexander)的《吸烟的三个中国人》,《桥塔》(The Bridge Pagoda,Shanghai Beyond) 高清作品[100%]

Three Chinese Figures Smoking, The Bridge <em>Pagoda</em>, Shanghai Beyond-

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威廉·亚历山大(William Alexander)的《吸烟的三个中国人》,《桥塔》(The Bridge Pagoda,Shanghai Beyond)-William Alexander

Three Chinese Figures Smoking, The Bridge Pagoda, Shanghai Beyond--William Alexander (英国, 1767-1816)

下载威廉·亚历山大(William Alexander)的《吸烟的三个中国人》,《桥塔》(The Bridge Pagoda,Shanghai Beyond)大图

2. 威廉·亚历山大(William Alexander)的《中国风景:塔与山的人物》(View in ChinaFigures with Pagoda and Mountain) 高清作品[99%]

View in China; Figures with <em>Pagoda</em> and Mountain-

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威廉·亚历山大(William Alexander)的《中国风景:塔与山的人物》(View in ChinaFigures with Pagoda and Mountain)-William Alexander

View in China; Figures with Pagoda and Mountain--William Alexander (英国, 1767-1816)

下载威廉·亚历山大(William Alexander)的《中国风景:塔与山的人物》(View in ChinaFigures with Pagoda and Mountain)大图

11. 塔霍托沙里约基(许多宝石的佛塔圣物) 江户时期,18/19世纪 高清作品[38%]

Edo period , 18th/19th century

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A TAHOTO SHARI YOKI (MANY-JEWELED STUPA RELIQUARY):Edo period (1615-1868), 18th/19th century
Constructed of lacquered wood and bronze in the form of a single-story pagoda set on a rectangular stepped base and railing decorated in square inlays of mother-of-pearl alternating with gold-lacquer cloud patterns, the cylindrical housing fitted with four sets of double doors, two guardian figures painted on the interior of the front facing doors, the exterior lacquered in nashiji, the sloping tiled roof surmounted with a multi-tiered stupa topped with a sacred jewels supported by a lotus dais, from which chains lead down to the roof\'s corners, each corner with a pendant bell
19 3/4in (50.2cm) high

塔霍托沙里约基(许多宝石的佛塔圣物) 江户时期,18/19世纪

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12. 南板风格的写字台 江户时代,19世纪 高清作品[35%]

Edo period , 19th century

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A NANBAN-STYLE BUNDAI (WRITING TABLE):Edo period (1615-1868), 19th century
The rectangular writing surface set on a raised dais pierced on all sides supported by a flaring scalloped apron on four cabriole feet, the whole decorated in gold hiramaki-e, kinpun, and mother-of-pearl inlays on a dark brown lacquer ground, the upper surface with a fanciful design of pavilions and a pagoda by the shore with rocks and chickens among camellia, pine, and wisteria, framed by two borders, one a modification of the traditional shippo motif with a four-petaled flower in the center, and the other a floral checkerboard, the raised edge with the same shippo design but on a smaller scale than the top surface, the sides and legs decorated with butterflies and birds in wisteria and stands of two types of camellia and Chinese bellflowers

14 x 23 3/4 x 7 1/4in (35.5 x 60.3 x 18.4cm)

南板风格的写字台 江户时代,19世纪

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